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    3/23/2006

    街头艺人

          昨天回家路上,在中山公园换乘站,我挂着mp3走在匆匆人流中,突然张雨生的《大海》穿过人潮,穿透耳塞,惊醒了我昏昏欲睡的大脑。四下张望,才发现是一男生靠坐在墙边,怀抱吉他弹唱,面前放着琴套,里面是一张张零钱。即使是坐在地上,他的声音也相当的洪亮饱满,也得益于地铁站通道狭窄的空间,歌声有着天然的混响。
          虽然无数次在电视上看过街头艺人,也听朋友聊起过他所见的街头艺人,但真正亲眼所见,这还是第一次,竟有些激动,连忙掏出相机。可惜来往的行人太多,步履匆忙,始终没能找到很好的机会,其间至少有三人在琴套里放下了零钱。好不容易等到一空档,正准备拍,他一回头看到了我,眼中充满敌意,大概把我当小报记者了吧,不过很快他也看出我只是一普通路人,遂转过头继续他的“大海”,可我却有些不好意思,只得收起相机,不无遗憾地走了。
          想起前次在新世界外面看到的爵士乐队表演,一位穿着考究的老太太在路人围成的半圆中随着音乐起舞,虽然没太多动作看上去也很业余,但她自己很享受,甚至还到人群中邀请大家一起跳,还真有一位太太进到圈中和她一起分享这份悠闲自得。街对面,一位老先生竟旁若无人地微闭着眼、拥着舞伴般踏着乐点渐行渐远,好不惬意。
          这一刻真正体会到上海这个国际大都会的魅力与包容力,任何一种生活的形式都可以在这里找到最广阔的空间,得到最充分地展露。

    Comments (2)

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    雏燕子wrote:
    我也有这样的感觉,就像我们实习一样,现在想离开但又觉得熟悉的地方很留念,真的。陌生是可爱的也是害怕的。
    Mar. 27
    Lotus Summerwrote:
    这也是我一直在矛盾的问题,包容力意味着激烈的竞争,而安逸的城市往往很地方,缺乏活力.
    Mar. 27

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